vrijdag 10 augustus 2012

1 + 1 = 1 Fish

I really must remember to write these blogs as soon as I'm finished a drawing session, I really must remember to write these blogs as soon as I'm finished a drawing session, I really must... Well, maybe next time I really will! In the meantime, this piece is about the session before last, a 2 hour sitting. Always prefering to begin with something new I decide to work on the pale fish in the lower lefthand corner. Also working from left to right will enable me to work without smudging anything with my hand and arm.

The most noticeable thing about this particular fish is it's beautiful blue markings on very pale whitish skin. Using sky blue I lightly pencil in the scales on the flank of the fish's body and then go over the whole area lightly with the same pencil (using the side of the tip to avoid drawing lines). Again, using the same pencil, but applying more pressure, I go over those scales which I want to stand out. It's important not to draw the scales very precisely in the expected "scale shape" and to draw paler, irregular and lighter and darker scales. The aim is to get as natural an effect as possible.

My attention then shifts to the area of water just above the fish. There's a small orange-coloured Koi in the water below and the suggestion of movement, so I use a middle chrome (orange) pencil, mixed with deep chrome to suggest this and oriental blue and juniper green for the water.
I blend these using the stumper and Chinese white.











Then it's time to fill in some more water, taking care to leave the area for the blue/white fish's fin blank for the moment.
There's a deep orange Koi fish underneath the golden-coloured fish that I've already drawn in, so I pencil in it's tail using deep chrome. and then continue with the surrounding water a small distance. I'll tackle this area again later as it borders on another fish.

And so my attention moves to the bright blue of the water in the lower lefthand corner. I fill this area in using oriental blue and sky blue, leaving some white "spots" where there are "bits"(for want of a better word) floating on the surface of the water.
This close-up shows the  irregular shapes and colour of the fish's scales, as mentioned earlier.
I then start to colour in the fleshy pink/pale orange of the fish's fins, using minimal pressure. The fins are very delicate and I need only suggest the folds with slightly greater pressure on the pencil.
A hint of middle chrome along the upper flank and flesh pink along the lower flank of the fish is also added. Note here too the details of the fish's head. I've suggested the bumpiness of the head with patches of softly applied sky blue. The eye is sky blue and the area around the eye a blend of sky blue and gunmetal grey.
Attention people! Fish need to swim in the water, not float on top of the water - a little prussian blue around the lower fin gives more depth and movement and already the tail end appears lower in the water.
A little more water above the fish's head and I'm nearing the delicate edge of another Koi's fin, so I keep the colour away for the moment...
... until I can draw in the ragged edge of the fin. Then I carefully join up the two areas of blue.


I deepen and blend the colours to achieve more depth. And so we have another fish swimming happily in the water! I've now spent a total of 14 hours and 25 minutes on this drawing and I'm thinking that there are many more hours to go - but I'm starting to enjoy it! This session was 1 hour, followed by the obligatory (short) tea break and then 1 more hour. Which just goes to prove, dear maths teachers,  that 1 + 1 = 1 Fish!

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